With a background rooted in sculpture, Ervinck harbours a fascination with the evolution of art
through the utilization of new materials and techniques. Disappointed by what he perceives as a lack of innovation in contemporary sculpture, he turned to architecture for inspiration. He found a wealth of possibilities in computer-generated designs, characterized by organic, amoeba-shaped forms, popularized by architect Greg Lynn in 1995.
The juxtaposition between box and blob forms is integral to Ervinck's artistic practice. Employing copy-paste techniques in a 3D software environment, he integrates images, shapes, and textures from diverse sources, ranging from basilicas and corals to dinosaurs and manga. Despite the avant-garde nature of his work, Ervinck pays homage to the tradition of sculpture, drawing inspiration from artists such as Hans Arp, Henry Moore, and Barbara Hepworth.